2013年第4期目录

     

    《音乐探索》创刊30周年专栏

    03胡扬吉/  探幽析微、索新求变——《音乐探索》“而立”之年随感

    HU Yangji :  Exploration and Innovation—for the 30th Anniversary of Exploration in Music

     

    13田可文/  好名字与好刊物——写在《音乐探索》创刊30周年之际

    TIAN Kewen :  A Good Name, a Good Periodical-- for the 30th Anniversary of Exploration in Music

     

    音乐编辑学

    16李宝杰/  民国时期四种同名《音乐杂志》办刊比较研究

    LI Baojie: Comparison of Four Homonymous Periodicals Named as Music Magazine during the Republican Period

     

    27陈荃有/  音乐文本编辑:由实践到理论的提升

    CHEN Quanyou: Music Text Editing—from Practice to Theory

     

    32  /小题大做  推陈出新 ——也谈音乐论文选题的几点原则

    ZHANG Meng: A Tempest in a Teapot, Introduce New Topics—on Topic Selection of Music Treatise

     

    36李宏锋/  音乐理论期刊编辑问题管窥

    LI Hongfeng: On Editorial Issues of Academic Music Periodicals

     

    42  /  新媒体平台下的音乐学术型编辑——以“中国音乐学网”的得失经验为例

    Yang Jian: Academic Music Redactology in New Media—a Case Study of “China Musicology Network”

     

    艺术教育

    47孙洪斌  宋显彪/  试论艺术院校推动文化产业发展机制:以四川音乐学院为例

    SUN Hongbin, SONG Xianbiao: On Development Mechanism of Cultural Industry Driven by Art Academies—a Case Study of Sichuan Conservatory of Music

     

    50董 波 李晓燕 覃世艳 刘立云/  艺术院校研究生思想政治理论课教学模式探析

    DONG Bo, LI Xiaoyan, QIN Shiyan, LIU Liyun: On Teaching Model of Ideological and Political Theory Course in Art Academies

     

    55  /  高师音乐专业学生教学能力培养研究

    CHEN Jie: On Teaching Ability Training of Music Major Students in Normal University

     

    60周薇薇/  论德育教育在音乐教学中的落实

    ZHOU Weiwei: The Practice of Moral Education in Music Teaching

     

    书评

    62杨殿斛/  事实选择:民族音乐学分化后的学科建设实践——洛秦编《音乐人类学的理论与方法导论》评介及其它

    YANG Dianhu: Choice of Facts: Disciplinary Construction Practice after the Dividing of Ethnomusicology—LUO Qin’s Introduction to Music Anthropology Theory and Methodology

     

    71  沿着先辈音乐教育家的足迹寻觅——《浙江近现代音乐教育家群体研究》书评

    LI Qing: The Footprints of Precursors in Music Pedagogy—Review of Modern Music Educationists Group in Zhe Jiang

     

    73周娟娟/  构建合唱学科体系  创设社会合唱环境——评《中国合唱教育研讨与分析——中国·南湖09高等院校合唱教育高峰论坛实录》

    ZHOU Juanjuan: Choir Singing: Constructing the Discipline, Creating the Social Environment—Review of Investigation and Analysis of Choir Education in China—Nanhu, China, the 09 Summit Forum of Choir Education in University

     

    音乐史学

    76  /  关于中国古代音乐史学研究现状的若干思考

    LUO Yuan: Issues in the Studies of Ancient Chinese Music History

     

    80  /  《诗经》曲式结构研究的反思

    DONG Bing: Reflection on Formal Studies of Shi Jing

     

    民族民间音乐

    85贾路红/  论陈振铎二胡音乐作品的创作及审美意义

    JIA Luhong: CHEN Zhenduo’s Er’hu Compositions and their Aesthetic Value

     

    89  /  中国西部风钢琴曲文化与音乐成因之探析——以新疆风格钢琴曲为例

    HE Li: Cultural Study of Chinese Western Style in Piano Music—a Case Study of Xinjiang Style Piano Music Compositions

     

    92向琛子/  对藏族音乐创作的思考

    XIANG Chenzi: On the Composition of Tibetan Style Music

     

    95潘祖君/  流行歌曲创作中的“藏族音乐元素”探究

    PAN Zujun: On Tibetan Elements in Pop Songs

     

    技能技法

    99姚以让/  勋伯格《钢琴组曲》(Op.25)的基本理论与技术分析

    YAO Yirang: Basic Theory and Technique Analysis in Schoenberg’s Suite for Piano, Op.25

     

     

    112奚劲梅/  正谱伴奏在副科钢琴教学中的实用性研究

    XI Jinmei: Practicability of Written Piano Accompaniment in Non-Piano-Major Education

     

    123  /  高师钢琴教学中“非童子功”学生有效的训练方法——落臂与放松

    ZHANG Ming: Effective Piano Teaching Approach for Late Starter in Normal University—Arm Dropping and Relaxation

     

    127董博超/  论织体分析对于音乐理解及钢琴演奏的意义

    DONG Bochao: Significance of Textual Analysis in Understanding and Performing Music

     

    137  /  深度解析歌唱中的的呼吸

    FEI Li: On Breath in Singing

     

    139周书林/  浅析著名歌唱家对威尔第歌剧咏叹调《永别了,过去的美梦》的诠释

    ZHOU Shulin: Great Singer’s Interpretations of “Addio, del passato…” in Verdi’s La Traviata


     

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