中央音乐学院学报(季刊)二○一三年第三期(总第132期)

    音乐美学
    试从中国的“意境”理论看西方音乐 于润洋(3)

    民族音乐
    阐释人类学及论文写作
    ——福州宗教音乐活动研究实例〔澳大利亚〕杨沐(10)
    论赣南道教节日祈祥法事仪式器乐的风格特征 蒋燮(21)
    南音套曲《金井梧桐》源流考论 马晓霓(40)

    中国音乐史
    西方人“了解中国音乐最好的入门书”
    ——谈路易·拉卢瓦的《中国音乐》 宫宏宇 温永红(46)
    汉英音乐文论翻译是一项建设性学术工作
    ——对《音乐中国》编译历程的回顾 周勤如(58)

    作曲理论
    音乐分析理论的早期历史及其在中国的传播 任达敏(65)
    二元构态与音场效应
    ——周龙歌剧《白蛇传》的音高组织分析 杨和平(80)
    音乐在灵动中行走
    ——莫五平弦乐四重奏《村祭》创作分析 周叙(90)

    音乐表演
    音乐表演表现力的多维视野
    ——以《梦幻曲》的几个视频演奏版本为研究个案 高拂晓(113)
    当代西方小提琴演奏与教学研究的新途径
    ——关于实证科学与新技术影响的述评 刘洪(127)

    书评《音乐人类学的理论与方法导论》 洛秦编著 胡晓东(136)

    学术报道
    《中国民族音乐研究文集》即将出版 杨民康(142)
    当东方与东方相遇
    ——中印之夜·刘月宁与印度音乐家新作品音乐会系列之三在北京圆满落幕 刁艳(143)


    JOURNAL OF THE CENTRAL CONSERVATORY OF MUSIC
    Quarterly No.3, 2013 vol. 132


    CONTENTS


    The Western Music from the View of the Chinese Theory
    Yijing(Mood of a Literary Work)Yu Runyang(3)
    Interpretive Anthropology and Academic Writing:Reflections on a Case
    Study of Music and Dance Serving Religious Rituals in FuzhouYANG Mu(10)
    The Features of the Instrumental Music in the Taoist Feast Day Auspiciousness
    Praying Rituals of Southern Jiangxi ProvinceJIANG Xie(21)
    The Nanyin Cycle Phoenix Tree by the Golden Well:
    The Source and the DevelopmentMA Xiaoni(40)
    “The Best  Introduction to the Subject of Chinese Music”:
    Louis Laloy and La Musique ChinoiseGONG Hongyu,WEN Yonghong(46)
    To Build a Bridge Connecting Chinese Music Scholarship with the World:
    A Theoretical Review of the Journal of Music in ChinaZHOU Qinru(58)
    Analysis: The Early History and the Diffusion in ChinaREN Damin(65)
    Zhou Longs Opera Madame White Snake: An AnalysisYANG Heping(80)
    Muo Wupings  String Quarted A Rite in a VillageZHOU Xu(90)
    The Multidimensional  Perspectives of the Expressiveness in Musical Performance:
    A Case Study of Three Videos of TrumereiGAO Fuxiao(113)
    A  New Approach to the ViolinPlayingandTeaching 
    Study in the West at the Present TimeLIU Hong(127)
    Bookreview
    Luo Qin,ed.,An Introduction to the Theory and Methods of EthnomusicologyHU Xiaodong(136)

    Commemorating the 90th Birthday Anniversary of Professor

    Lin Shicheng (A Foreword)ZHANG Hongyan(3)
    Professor Lin Shichengs Remarkable Contributions to the Professional

    PipaPerforming Teaching WANG Cizhao(6)
    The Two Collections of Pipa Scores Edited by Professor

    Lin ShichengQIAO Jianzhong(10)
    The Founder of the Professional PipaPerforming

    Teaching in Contemporary China
    YUAN Jingfang(17)
    The Heritage of Pipa Schools and the Aesthetic Point of ViewLIN Gufang(22)
    Framework Scores: The Foundation for the Formation of the Pipa Schools

    ZHANG Boyu(25)
    A Study of the Tibetan Court Music and Dance Gar TIAN Liantao(29)
    A Brief History of the Notation of NanyinLI Jiping(44)
    The Sound of the Text in the Chanting Songs of the Same Subject with Different

    Dialects:
    An Example of the Comparative Case Study  QIAN Rong(58)
    The Form of the Dong Peoples Folksong Dage Divided by the Eu Suo

    PAN Yonghua, XIA Hongyan(70)
    “How delightful this branch of fresh flowers”: Mooleewha and its EuroAmerican

    Transformation (1795-1917)GONG Hongyu(79)
    Liszt and the Literary Lawrence Kramer(93)
    The Virtuoso Body and the Birth of Musical Performance  Lawrence Kramer(99)
    Richard Strauss Sonata for Violin and Piano in E Flat Major:

    the Music and the Performance WANG Xiaobei(104)
    Spectrum Music for Microtone Violin and Viola: A Study CHEN Jie, HE Rong(114)
    Book Review
    Stephen Davies, Musical Meaning and ExpressionMI Heng(122)

     

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