中央音乐学院学报(季刊)二○一七年第一期(总第146期)


    佛教音乐专题佛曲《四季莲华乐》研究袁静芳(3)
    说唱音乐“平家”与佛教音乐“讲式”〔日〕荐田治子 著〔日〕栂尾亮子 译(17)
    香港最早的五会念佛及其老唱片罗明辉(23)
    “悔过法要”与《集诸经礼忏仪》的声明〔日〕佐藤道子 著〔日〕新堀欢乃 译(31)
    《大日经疏》体现的佛教音声观杨秋悦(37)

    世界音乐没落与再生:印度尼西亚爪哇华人皮影戏的发展状况 蔡宗德(47)

    民族音乐拉卜楞寺“道得尔”与五台山佛乐的比较研究
    ——以拉卜楞寺《色和》与殊像寺【万年欢】佛曲为例银卓玛(65)

    音乐美学传统音乐乐感研究刍议
    ——以南音为例陈燕婷(79)

    中国音乐史国立礼乐馆述略汤斯惟(90)
    译文
    德沃夏克美国时期作品中的调式四音组〔英〕本内
    迪克特·泰勒 著王瑛珏张恒 等译戴宇郭新整理校注(103)
    《德沃夏克美国时期作品中的调式四音组》译后记郭新(123)
    “新里曼”理论导论:一次调查与一次历史的纵览
    〔美〕理查德·科恩 著唐小波 译高拂晓 校(125)

    音乐心理学音乐诱发情绪的测量方式研究张晓敏尹爱青(136)

    学术动态古乐西来正逢时
    ——“中国首届西方早期音乐节”记略贾抒冰(150)
    多元化发展中的音乐表演研究
    ——第四届表演研究网络国际会议综述高拂晓(155)
    文化与沟通
    ——第二届“中国民族民间音乐周”活动纪实孙聪(159)

     

     


    JOURNAL OF THE CENTRAL CONSERVATORY OF MUSIC
    Quarterly No.1,2017 vol. 146


    CONTENTS

     


    A Study of the Buddhist Music Siji Lianhua Yue(Lotuses in Four Seasons) in ChinaYUAN Jingfang(3)
    The Japanese Narrative Heike and the Buddhist Music KoshikiKOMODA, Harukotrby TOGAO,Ryoko(17)
    The Earliest FiveVariation Chanting of Amitabha Buddha in Hong
    Kong and the Old Records of the MusicLUO Minghui(23)
    The Shomyo of the Buddhist Repent Ceremony Recorded in the Chinese Canon
    Edited by Zhisheng and Keka Hoyo Created in Japan:A Comparative Study SATO,Michiko trby SHIMBORI,Kanno(31)
    The Buddhist Yinsheng (Sound) Conception Embodied in the Chinese Translation of Mahāvairocanābhisam·bodhivikurvitādhis·t·hānavaipulyasvtra

    YANG Qiuyue(37)
    The Current Situation of the Chinese Indonesian Puppet Shadow Show Wayang CinaJawa
    TSAI Tsungte(47)
    The Procession Music Doh Dar of the vJamdbyangs Band of the Blabrang Monastery,
    Gansu,and the Music of the Shuxiang Temple for Majughosa,Wutai Mountain, Shanxi: A ComparisonYIN Zhuoma(65)
    The Traditional Sense of Music Style Shown in the Performances of Nanyin CHEN Yanting(79)
    A Brief Account of the History of the National Rites and Music Research Institute
    (1943-1948)TANG Siwei(90)
    Modal FourNote Pitch Collections in the Music of Dvor∨áks American Period
    Benedict Taylor(103)
    The Afterword for the Chinese Translation of Modal FourNote Pitch
    Collections in the Music of Dvor∨áks American PeriodGUO Xin(125)
    Introduction to NeoRiemannian Theory: A Survey and a Historical PerspectiveRichard Cohn(126)
    The Measurement of the Emotions Evoked by the Sound of MusicZHANG Xiaomin,YIN Aiqing(136)
    The First Festival of the Early Western Music in ChinaJIA Shubing(150)
    Performance Studies Networks Fourth International ConferenceGAO Fuxiao(155)
    The Second Chinese Ethnic Groups Folk Music WeekSUN Cong(159)

     

     

     

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